Wednesday, March 31, 2021

What Scots Are Reading: The Tango War

We ask fellow Scots to tell us about a book they've recently enjoyed. If you would like to contribute a book review, drop a note to: reference@monmouthcollege.edu. 


The Tango War: the struggle for the hearts, minds and riches of Latin American during World War II 
by Mary Jo McConahay
St. Martins Press, 2018
Reviewed by Tom Prince, Lecturer, Business and Economics

The gift of a book, “Happy Birthday, Dad”, inscribed from my daughters inside the front cover of The Tango War.  A history documenting the struggle for the hearts and minds of Latin America during World War II.  Also a thrilling account of the campaigns for the wealth of natural resources all needed for the war efforts.  Rival spy networks, negotiations for captured prisoners of war, and the flow of natural resources as a key to Allied victory. Camps in Texas holding “Enemy Aliens” from Latin America and a war waged to win the support of Argentina, Brazil, Peru, Costa Rica, Mexico, Columbia, Ecuador, Bolivia, Venezuela, Paraguay, Chile, Panama, and Cuba.  Campaigns waged outside of national attention, but crucial to the war effort. These true accounts are brought to life in a historical context that reads, as described on the inside cover, “Like a Thriller”.  And it does not disappoint. 

Part One:  The Prizes. Oil wells and production for the war effort were critical.  Petroleum for electricity, for asphalt to cover roads and to fuel automobiles, busses, and even trains.  Oil became a necessary resource as wartime fleets were converted from coal power to oil.  The thirty-three countries in Latin America became critical to production, distribution, and victory.  But other prizes were also critical.  Rubber, ports, resupply depots, and even airmen such as the Aztec Eagles from Mexico.

Part Two:  The Undesirables.  Jewish refugees turned away, German nationals who had transitioned to Latin America, Japanese families who had resettled in Latin America all considered threats to the Allied effort.  The stories of families and national interest all in conflict.  Each page offering historical insight to issues still faced today.

Part Three:  The Illusionists.  Spy masters and espionage in South America.

Part Four:  The Warriors.  The Battle for the Atlantic and Southern Seas fought from the shores of our southern neighbors.

Part Five:  The End without an End.  Prelude to the Cold War

Each part wound together with intrigue and historical lessons that keep the reader engaged as this historical account becomes very real. Truth is sometimes more thrilling then fiction.

Spoiler Alert:  Skip to the end of the book, the Allies won the war.  But what about Latin America?  Why was Walt Disney sent there?  Walt and El Grupo, the untold adventures. Down Argentine Way starring Don Ameche, Betty Grable, and Carmen Miranda and why was Carmen Miranda the highest-paid woman in the United States by the war’s end?  What influence did oil companies and Pan-American Airlines have over policy decisions? Germany had established the first airline in the Americas in 1921, in Columbia.  This was three years before Delta, the oldest operating U.S. airline. All part of the Tango War and the securing of Latin America.  

This does not read like a history lesson but rather it is a story of cultures, propaganda, and a spy thriller all combining to bring a true story to life. As I turned each page I was surprised with the events and history I was not aware of.  But, it also became personal in the most unexpected way.  Disruptive technology developed at Camp X, forty miles from Toronto, where men and women trained as spies.  Over a dozen countries were represented.  Five future directors of the Central Intelligence Agency and its predecessor, the OSS, trained there.  And it was also where set directors from Hollywood would recreate locations so operatives could train for secret missions, such as the assentation of SS General Reinhard Heydrich, who was one of the architects of the Final Solution carried out by Hitler.  It was just a mention in the book. But, Heydrich was killed outside a Czech village in 1942 by operatives who trained in England with assistance from Camp X.  Just a mention, a quick fact. The Czech village is called Lidice.  When General Heydrich’s death was reported to Hitler he ordered the village destroyed and all the men of the village killed.  The women and children were taken to camps. Most perished there. My grandmother was born in that village and she was the only one in her family to travel to the United States when she was just 18, prior to the war. She married and lived in Northern Wisconsin. She lost her entire family in Lidice.   
A book, a history lesson, and suddenly a very personal association with the events and descriptions of the Tango War.  

A book on Latin America and one well worth reading. Clear evidence of the joys of reading and discovering the unexpected. I wrote my daughters at the conclusion: “Thank you for the book, it taught me so much and I appreciated every page.  Love, Dad”

Tango War is available to borrow via I-Share.

Sunday, March 28, 2021

PEEPS Diorama Contest

Monmouth PEEPS are invited to register and pick up a PEEPS pack and create a Monmouth inspired diorama!. Registration: https://tinyurl.com/namxjk2h

Show your creative side and decorate your diorama with a memory or scene inspired by our Scots' campus. Individuals and student groups are welcome to participate!

Bring your diorama to Hewes Library by 9pm on Tuesday, April 6th and our campus will vote for the PEEPle's Choice Award starting April 7th!

Have fun!





Easter Hours

Hewes Library hours are adjusted for the Easter weekend holiday as follows:

Thursday, April 1st       7:30am-4:30pm
Friday, April 2nd           CLOSED
Saturday, April 3rd        CLOSED
Sunday, April 4th          CLOSED
Monday, April 5th         library opens 7:30am 


Friday, March 19, 2021

New Items at Hewes Library

New items are added to the Hewes Library collection on a continual basis. Recent titles have included: 

  • Water Dancer: A Novel by Ta-Nehisi Coates
  • Inventing Latinos: A New Strategy of American Racism by Laura E. Gomez
  • Captain Kidd's Lost Ship: The Wreck of the Qurdagh Merchant by Frederick H. Hanselmann
  • How to be Antiracist by Ibram X. Kendi
  • Tennessee Williams: Mad Pilgrimage of the Flesh by John Lahr
  • Mountain Sings: A Novel by Nguyen Phan Que Mai
  • Burning the Books: A History of the Deliberate Destruction of Knowledge by Richard Ovenden
  • Gender Typing of Children's Toys edited by Erica S. Weisgram and Lisa M. Dinella
  • Contagious: Cultures, Carriers and the Outbreak Narrative by Priscilla Ward
  • A Peoples History of the United States by Howard Zinn

Thursday, March 18, 2021

"The Life Hermetic" in Everett Gallery

Currently featured in the Len G. Everett Gallery in Hewes Library is an exhibition of drawings by Beloit faculty member, Scott Espeseth.

The Life Hermetic features sixteen watercolor drawings by the artist. Espeseth is the Dr. Richard K. and Gloria T. Nystrom Professorial Chair in Fine Arts at Beloit College, and he has been teaching all levels of drawing and printmaking since 2002. More of Scott’s work can be seen here, at his website.

The exhibition will be open through April 1st (see gallery hours below), and Scott will give a public talk through Zoom on Friday, March 19th at 2pm. 

Gallery hours in Hewes Library:
Sunday    1pm – 4pm
Monday    noon – 4pm
Tuesday  9am - noon
Wednesday  4pm – 8pm 
Thursday  noon – 4pm



 

Friday, March 12, 2021

MC Women in STEM Display

A new display in Hewes Library features Monmouth College women in STEM. Several Monmouth faculty and students are featured, highlighting their research interests and related materials from the library's collection.

As part of Women's History Month (March) all are invited to visit the display on the east side of the main level of the library.

Also of related interest is the streaming film, Picture a Scientist, a 2020 documentary available to the Monmouth College community through the streaming film database "Academic Video Online".

The film chronicles "the groundswell of researchers who are writing a new chapter for women scientists. A biologist, a chemist and a geologist lead viewers on a journey deep into their own experiences in the sciences, overcoming brutal harassment, institutional discrimination, and years of subtle slights to revolutionize the culture of science. From cramped laboratories to spectacular field sites, we also encounter scientific luminaries who provide new perspectives on how to make science itself more diverse, equitable, and open to all.“




Monday, March 8, 2021

What Scots are Reading: Sing, Unburied, Sing

We ask fellow Scots to tell us about a recent book they enjoyed and the result is this series "What Scots are Reading."  If you would like to contribute a book review, drop a note to: reference@monmouthcollege.edu.


Review of Jesmyn Ward’s Sing, Unburied, Sing

by Anne Giffey, Public Services Librarian



I had not read Jesmyn Ward’s work prior to this novel and frankly, I chose this book because of the renown it earned - a 2017 National Book Award and a finalist for almost every other major award.


Spoiler: it lived up to its accolades and I give it five tartan stars.


A story of three generations of a Mississippi family, the themes of racism, poverty, and trauma remain a constant thread, manifesting in each generation in uniquely tragic ways. Grandfather "Pop" holds his young teenaged grandson, JoJo, captivated by recollections of his time in prison where conditions were not far removed from the horrors of slavery.  Pop's daughter and JoJo's mother, Leonie, is haunted by a lost brother and an addiction she can't shake. JoJo, a smart and sensitive boy, mediates between the generations, intent on protecting himself and his baby sister.


The supernatural elements of this novel sneak up on you; a ghost emerges from

pop's tale, and although not as destructive as in Morrison’s Beloved, its presence represents the persistent haunting of cultural trauma.


Touching moments of sibling tenderness and fierce protective love between Jojo and his young sister are some of the most visceral moments of the novel. It was a book I had to put down often, but kept returning to. 


For future reads, I definitely have Ward’s acclaimed novel, Salvage the Bones, her edited collection, The Fire This Time: A New Generation Speaks About Race, and her memoir, Men We Reaped, in my sights. 


Sing, Unburied, Sing is available for checkout from Hewes Library: PS3623.A7323 S56 2017


Sunday, March 7, 2021

Materials Quarantine Reduced to 1 Day

Hewes Library is adopting a one-day quarantine period for all materials arriving from other libraries and materials used within the library. This period of time, reduced from a three-day period, is at the recommendation of the CARLI consortium (89 libraries) and the RAILS library system (1300 libraries). 

Library staff are committed to providing information and materials safely to patrons, and encourage faculty, staff and students to contact the library if they have questions about accessing materials, whether they are on or off campus.  

Email: reference@monmouthcollege.edu

For more information on how the library supports remote learning: https://library.monmouthcollege.edu/remotestudy.




HIST 290 Student Display

Bailey Shimmin, a student in HIST 290 Archives Practicum with Technical Services librarian, Lynn Daw, has produced a display featuring the history of Grier Hall. 

As part of the theory and practice of archival methods, students in the course will be creating displays throughout Hewes Library this semester. Bailey utilized materials from the college archives (photographs, newspapers and documents) for the display available by the west entrance to the library.  

Students in the course were featured earlier this semester by Monmouth College while they inspected materials from Monmouth's First United Methodist Church time capsule.







Tuesday, March 2, 2021

What Scots are Reading: The Goldfinch

We asked a fellow Monmouth College Scot to tell us about a recent book they enjoyed. The result is what we hope will be a regular series, "What Scots are Reading."  If you would like to contribute a book review, drop us a note: reference@monmouthcollege.edu.



Review of Donna Tartt’s The Goldfinch

By Barry McNamara, Associate Director of College Communications

 

Some of my first experiences with reviews came while watching American Bandstand. A new song would be played, and the youngster that Dick Clark interviewed for their fresh take would inevitably say something like, “It had a good beat. I could dance to it. I give it a 98.”

I’m going to try to be a little more original with my first book review for Hewes Library – on Donna Tartt’s The Goldfinch – but there’s also a very similar, short and sweet, Bandstand-esque way of communicating my thoughts about it: It won the Pulitzer Prize for Fiction. You should probably check it out.

When I sat down to start reading The Goldfinch, that’s all I knew about it and, in keeping with that limited prior knowledge, I won’t reveal much about the plot in this review. But it’s not too big of a spoiler alert to say that the title comes from the famous 1654 painting by Dutch artist Carel Fabritius.

I did know one other thing about the book, which I learned upon receiving it from the helpful staff member at Hewes Library who’d gone upstairs to retrieve it – it’s L-O-N-G. Not long as in tedious, by any means. But it’s a hefty 771 pages, and one is not likely to breeze through it in a weekend, unless one has been trapped inside by the latest round of snow and/or freezing cold to hit western Illinois.

But that length figures into the main thing I want readers to know about The Goldfinch. I made steady progress through it, and I found myself on the weekend before it was due back at Hewes with pages 699-771 to read. I read them in one sitting, and my fresh take on it is this: if Tartt wrote most of those pages in a relatively short amount of time, it has to go down as one of the great “hot streaks” by an author in modern times.

In those final 72 pages, she revealed so many deep truths and produced so many emotional goosebumps for me that I vowed to transcribe some of them before I returned the book. In the process of doing so, I stumbled across a website that boasted the 25 top quotations from The Goldfinch. Fifteen of those 25 excerpts came from those final 72 pages.

(Here’s one that didn’t make the cut – but I enjoyed it just the same – from page 724: “So – maybe when Andy washed up spitting and coughing into the country on the far side of the water, maybe my mother was the very one who knelt down by his side to greet him on the foreign shore. Maybe it’s stupid to even articulate such hopes. But then again, maybe it’s more stupid not to.”)

So, should the reader just flip ahead to page 699 and start from there? Of course not! I’m a sports guy, and doing so would be like a Chicago Cubs fan only watching the last out of Game 7 of the 2016 World Series. The entire game was an all-time classic – the highs and lows, the doubts and ecstasy.

So read the first 699 pages of The Goldfinch. Ride the highs and lows with Theo Decker.

But also read them for all the “Psst, you. Hey kid. Yes you” moments in the book – the moments when Tartt seems to be speaking directly to you about some very personal aspect of your life. The parts where, as it says in the book, “It’ll never strike anybody in the same way.”

And then savor pages 699-771. Those pages are like the finale to a fireworks show on the Fourth of July – what leads up to them are a steady barrage of singular colorful explosions in the sky, some of them lingering in your mind long after you’ve seen them (like the weeping willow tree one always does for me). And then the rapid-fire flurry at the ending – almost more colors and light and sound than you can process at one time. Sensory overload.

That’s what the ending of the book was like for me, and I hope it strikes you that way, too. Overall, I’ll give The Goldfinch two points more than a 98 and, of course, five tartan stars.

The Goldfinch is available for checkout from Hewes Library: PS3570.A657 G65 2013